Here's the deal: You get five minutes to sell yourself to a perfect stranger (I've heard that at ThrillerFest you get one minute - apparently a miasma of depression and desperation fills the room that day). Personally, I dreaded the momen
Luckily for me, my agent was great and helpful and didn't bite me once. But let me let you in on a little secret. If the workshop coordinators tell you not to bring a manuscript, don't listen to them. Bring it (or at least the first 3 chapters). You may never do anything with it (and don't force it on the agent), but at the very least, you can hold your query letter in front of you for comfort, and consult it if you forget where you are, who you are, and what the heck you're doing here in this scary place.
I learned this little trick by reading The Mysterious Benedict Society (great book for kids, BTW). The children are told to bring only one pencil to take a test, but one character, Constance Contraire, brings 37. Borrowing a book from Constance's page, I brought along the first 3 chapters, a synopsis and a query letter. What did I have to lose? Nothing! The agent asked for a sample of my writing and lo and behold, I had one! Most times I'm a rule follower, but sometimes, you've got to take the initiative, break some rules, stir things up. Who knows what will come out of this? Maybe nothing. But as Elvis always says, nothing ventured, nothing gained.
In sum, when doing a pitch, be prepared for any contingency. Keep a copy of a writing sample (preferably the first three chapters and a query letter) in your bag, just in case. Bring a watch and leave yourself time to go to the bathroom to do your business.
Oh, and note to self: Next time, avoid eating baked beans for lunch.
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